![]() Driven by his passion for sound for picture, Stefan founded Decibel Peak, a platform designed to empower and support emerging sound professionals while contributing to the growth of the industry. ![]() Today, Stefan utilizes his extensive expertise to record production sound and lead the audio post-production process for a variety of projects in the TV, Film, and New Media industry. His journey into sound production began at the young age of 16, where he initially produced music that went on to feature on local television. Stefan is a highly proficient sound professional who specializes in sound for picture. What’s your biggest difficulty when it comes to mixing and mastering? The speaker monitors are STRONGLY recommended, but I lived without them for many years.ĭo you have any specific questions about mixing and mastering? Let us know in the comments and feel free to share your experience with us! Other than that, you’ll just need an excellent pair of headphones (or two). I also use MANY different devices to test my mixes on.Įverything else is subjective, but those are the essential plugins you’ll be needing for both mixing and mastering. Personally, I just work with 2 pairs of headphones and one pair of speaker monitors. That being said, it really depends on how much money you want to put down (and how much space you have). Some of the old-school mixing and mastering engineers still swear by rack mount effects processors (instead of using plugins). With the recent popularization of spatial audio (which you can read about HERE), a special type of speaker referred to as a “soundbar” could also be a good investment. Sometimes when adjusting the left edge of a region. Sometimes when Exporting All Tracks as Audio. Its a great way to enhance and emphasise desired. ![]() Now, the sky’s the limit when it comes to equipment you COULD use for mixing and mastering. There are now preferences to filter MIDI data on a port-by-port basis. Logics compressors give producers a simple means to side-chain the compressor to any audio signal or bus. Of course, that’s when the acoustics of your room/studio come into play…Ĭan you work without speaker monitors (if you really don’t have a choice)? Absolutely, that’s why I’d personally prioritize headphones. Now that we’ve learned how compression works, it’s up to us to figure out which type of compressor to use in our productions. Logic Pro X’s Compressor gets the MusicTech tutorial treatment. Speaker monitors are essential because headphones can only go so far in regards to recreating the sound of a room (referred to as “soundstage”). Learn what Logic Pro X’s Compressor types are and when to use them. Headphones are the most important piece of equipment (if you ask me).
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